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For her new spatial drawings, Ellinor Euler has worked with brass wire, an unusual or even unusual or even suspicious material for art. The simple “creative product” with its shiny, delicate, elegant colors is brought into shape by the artist. Stitch by stitch, the material is transformed into poetic, intangible pictorial and forms bridges without abutments from the tangible to the imaginary: Light and shadow, the tangible and the absent. As in dance, an ephemeral, moving, mobile spatial art. Floating and light, the whimsical objects between the more or less randomly created form and its color, between graceful fullness and color, between graceful fullness and emptiness, between structure and knitted fabric. Such things each make their own space resonate - in an in-between space that develops in the figuration and through the figuration. The stagings unfold a sculptural poetry and naturally open up an intermediate space between the viewer and work, between work and space, between thought and perception. They form an oscillating, indeterminate threshold space that oscillates on both sides. Text: Dorothée Bauerle-Willert