The speculative architecture of Clemens Gritl’s AI-manipulated sceneries also rejects the ideology of the sovereign human subject. Rendered in raw, exposed concrete, the monochromatic grayscale enhances the sense of dehumanization through ominous visions of a post-human future or an authoritarian past. Gritl’s brutalist dystopia is also dominated by the line: his digital scaffolds erect disturbing architectural possibilities for urban science fiction scenarios. Pipes, ducts, and ventilation 
grids emphasize the industrial character of this ambiguous temporality, where the idealistic project of egalitarian design has ultimately been transformed into yet another tool of standardization, control, and oppression—executed through architecture itself. The monumental corporeality of these megastructures dwarfs the human, while their abandoned, empty surroundings suggest a world in which
architecture has outlived its society. These structures appear built not for people, but for the abstract idea of power.